"The first time I sang, put on the headphones, and I heard Piggy's playing, I thought, 'Oh my God, this is going to be tough," Snake said of the album's early recording stages. 'There's all this pressure of delivering, to honour your friend, and you've got to visualize the whole thing together.

"It has to sound like we're playing together. These are recordings from way back, but you've got to make it live.

"When Piggy got sick, I had already done the sketches of all the songs, not only those 10. There were 23 songs on the demo originally. These songs will be released later on. But I didn't change a lot of things since Piggy's death because I thought everything was there. All the sketches were there."

Added Newsted: "Because of producer Glen Robinson's major involvement, the sound of [VOIVOD's 1989 album] 'Nothingface' was very apparent.

"Snake got a whole lot of time to get his lyrics together, formulate the way he that he wanted to weave his shit into it. He's a very different kind of vocalist. The album that we made in 2003, Snake didn't have as much time to put his vocals together. We were just piecing it together, and he did some of the writing as he was singing it. So that punk element was there. This time he had a long, long time to put it together. He had recording devices at home. He could choose effects that he wanted.

"This record was built very much in pieces. I don't know if you know the whole story, but the bass was done through a 10-watt amplifier on my porch, and Piggy's guitar stuff was done in his bathroom in his apartment. For it to sound like it does after being pieced together like it was… it is far, far, far beyond a glorified demo, which is what I thought it was going to be.

"It is a fucking serious, weighty, heavy metal album. Contemporary, yet the experience and the maturity shines through like a motherfucker. Very unorthodox. The credit has to go to [drummer] Michel [Langevin; a.k.a. Away], Snake and Glen for following through with this. Because my part in this stuff, as far as the bass…

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quote:

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Originally stated by Jasonic:
[QB]
I'm just sitting on the porch in my rocking chair with iced teaQB]

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It's one motherfucker of a bass sound - best he's got since Floatsom. Fuck $1,000,000-per-day studios!

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quote:

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Originally posted by Emlyn Z Helicopter:
It's one motherfucker of a bass sound - best he's got since Floatsom. Fuck $1,000,000-per-day studios!

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I always thought Newsted was awesome from the first time I heard Doomsday For The Deceiver, and then his bass sound covering Budgie's "Breadfan" on Garage Days.... fuck!!! You better have talent if you're going to try and play something Burke Shelly originally laid down, and Jason, definitley has talent... he just doesn't let it go to his head.

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Originally posted by Little Mizz CongeNiality:
you can't fix in the mix what's not there to begin with.

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But... Lars Ulrich?

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Originally posted by Emlyn Z Helicopter:
But... Lars Ulrich?

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Well, think about how much money was spent on Lars and exactly much that improved matters. Not a great ratio...
And to think that drumming on MoP was his plateau!?

Jase is a fucking great bass player - really musical. I reckon he was just way too humble on "Voivod". As a guitarist I reckon Piggy often needs a more assertive bassist, as The Pig's often off doing his soaring, Fripping things around the structures.

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Originally posted by BumËggs:
Away's always sounded like a blast to play with. What a change that must be from having continual stutters and "sorry" from behind Metallica's drumkit during rehearsals...

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